jueves, 11 de marzo de 2010

Jhon George Haigh


John George Haigh, the so-called Vampire of London and one of several persons frequently cited as an actual modern vampire, was born into a strict Plymouth Brethren family in England. The Plymouth Brethren were a fundamentalist Protestant group, and Haigh's parents passed on to him a strong image of the suffering of Christ on the cross and his bleeding-the saving power of his blood being an important part of that image. It was also reported that his mother had a strong belief in prophetic dreams.

As a young man, Haigh left the Plymouth Brethren and joined the Church of England, but his heritage stayed with him. He had a revelation that he should begin to drink his own urine, a practice based upon his unique interpretation of two biblical passages, Proverbs 5:15 and John 7:38. He also had a recurring dream of a forest of crosses that transformed into trees dripping with blood. At one tree, a man collected a bowl of blood. Haigh would feel drained of energy and the man would offer him the bowl of blood to drink. But before he could drink, Haigh would awaken. He concluded from this dream that he needed to drink blood to restore his vitality.

Haigh established a laboratory in his own home, to which he lured his designated victims. There he would kill them, drain their blood, and dispose of their bodies in a vat of sulfuric acid. He was finally arrested when he tried to pawn the fur coat of one elderly female victim. Haigh was confident that he could not be tried and convicted without a corpse to confirm death. However, upon investigating his laboratory, the police found several body parts the acid failed to dissolve, including a victim's teeth, which were identified by their unusual dental work. At his trial, Haigh confessed to the nine murders, claiming that they had been religious acts and that the consumption of blood was necessary to his attaining eternal life. He was convicted and hanged on August 10, 1949. Haigh left his clothing to the London Wax Museum and, for some years, a wax model of Haigh stood in Madame Tussaud's House of Horrors.

As with most of the modern cases of vampirism, Haigh was not a vampire in either the traditional folkloric sense or the modern literary variety. He was a disturbed man whose problems were expressed in a religious format, which included an obsession with blood. His history of crime fits more properly with accounts of serial killers than that of vampires.

THE GHOST OF ANNE BOLEYN


The ghost of Queen Anne Boleyn is quite a unique phenomenon in the world of the paranormal. Unlike most ghost who haunt a certain locality, Queen Anne Boleyn's ghost is said to haunt a number of different locations through out the UK. Her spirit seems to have left a permanent imprint on the fabric of her surroundings, which is perhaps down to the impact she made in life and her traumatic death as to why her ghost still persists more than 500 years after her execution.

Anne Boleyn was the second wife of King Henry VIII, with their marriage changing the course of English History. King Henry was already married to Catherine of Aragon and could not obtain a divorce from the Roman Catholic Church. In order to obtain his divorce he therefore created a reformed version of the Church, putting himself at the head - a direct challenge of authority to the Pope.

Having obtained his divorce and married Anne, the King's most important desire was for Anne to conceive a male heir. His previous queen had only given him a female heir, Princess Mary. On 7th September 1533 Anne Boleyn gave birth to a girl, Elizabeth (who was later to become Queen Elizabeth I). After her birth, the relationship between the King and Anne Boleyn deteriorated, and he began to court a new queen in Jane Seymour.

However, Anne became pregnant again, and there was a brief reconciliation, but the child was stillborn. Henry determined to get rid of Anne Boleyn and came up with a charge of treason, arresting and confining her to the Tower of London. Her execution had been scheduled for 18 May 1536 but actually took place the following day as there had been a delay while a skilled executioner was brought in from France.

Queen Anne Boleyn is one of the most enduring ghosts at the Tower of London. Queen Anne is buried under the chapel's altar, with her ghost being spotted there on many occasions. Anne Boleyn has also often been seen standing at the window in the Dean's Cloister at Windsor Castle.

Anne Boleyn's ghost also appears in the grounds of Blickling Hall dressed all in white, seated in a ghostly carriage that is drawn by headless horses, spurred on by a headless coachman. Anne too is headless, holding her severed head securely in her lap. On arrival at Blickling Hall the coach and driver vanish leaving the headless Anne to glide alone into Blickling Hall where she roams the corridors and rooms until daybreak.

The magnificent Blickling Hall was built during the reign of King James I, by the Holbert Family, on the ruins of the old Boleyn family property. Blickling Hall in Norfolk has recently topped a National Trust poll as the Trust's Most Haunted Building. Blickling Hall was in the possession of the Boleyn family between 1499 and 1507. There is a statue and portrait of Anne Boleyn in the Hall, the statue is inscribed "Anna Bolena born here 1507".

Her brother, Lord Rochford, also appears on the same night, he too is headless although he doesn't enjoy the comfort of a carriage, for he is dragged across the surrounding countryside by four headless horses.

Sir Thomas Boleyn, who stated his belief of Anne's guilt at her trial has not found peace in death. Every year, for a thousand years to do as penance, tradition says he is obliged to drive his spectral coach and horses over twelve bridges that lie between Wroxham and Blickling.

martes, 9 de marzo de 2010

King Arthur


The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown.

Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chrétien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media.

Contents [hide]
1 Debated historicity
2 Name
3 Medieval literary traditions
3.1 Pre-Galfridian traditions
3.2 Geoffrey of Monmouth
3.3 Romance traditions
4 Decline, revival, and the modern legend
4.1 Post-medieval literature
4.2 Tennyson and the revival
4.3 Modern legend
5 See also
6 Notes
7 References
8 External links


Debated historicity
Main article: Historical basis for King Arthur

Arthur as one of the Nine Worthies, tapestry, c. 1385The historical basis for the King Arthur legend has long been debated by scholars. One school of thought, citing entries in the Historia Brittonum (History of the Britons) and Annales Cambriae (Welsh Annals), sees Arthur as a genuine historical figure, a Romano-British leader who fought against the invading Anglo-Saxons sometime in the late 5th to early 6th century. The Historia Brittonum, a 9th-century Latin historical compilation attributed in some late manuscripts to a Welsh cleric called Nennius, lists twelve battles that Arthur fought. These culminate in the Battle of Mons Badonicus, or Mount Badon, where he is said to have single-handedly killed 960 men. Recent studies, however, question the reliability of the Historia Brittonum as a source for the history of this period.

The other text that seems to support the case for Arthur's historical existence is the 10th-century Annales Cambriae, which also link Arthur with the Battle of Mount Badon. The Annales date this battle to 516–518, and also mention the Battle of Camlann, in which Arthur and Medraut (Mordred) were both killed, dated to 537–539. These details have often been used to bolster confidence in the Historia's account and to confirm that Arthur really did fight at Mount Badon. Problems have been identified, however, with using this source to support the Historia Brittonum's account. The latest research shows that the Annales Cambriae was based on a chronicle begun in the late 8th century in Wales. Additionally, the complex textual history of the Annales Cambriae precludes any certainty that the Arthurian annals were added to it even that early. They were more likely added at some point in the 10th century and may never have existed in any earlier set of annals. The Mount Badon entry probably derived from the Historia Brittonum.

This lack of convincing early evidence is the reason many recent historians exclude Arthur from their accounts of post-Roman Britain. In the view of historian Thomas Charles-Edwards, "at this stage of the enquiry, one can only say that there may well have been an historical Arthur [but …] the historian can as yet say nothing of value about him". These modern admissions of ignorance are a relatively recent trend; earlier generations of historians were less sceptical. Historian John Morris made the putative reign of Arthur the organising principle of his history of sub-Roman Britain and Ireland, The Age of Arthur (1973). Even so, he found little to say about a historical Arthur.


The 10th-century Annales Cambriae, as copied into a manuscript of c. 1100Partly in reaction to such theories, another school of thought emerged which argued that Arthur had no historical existence at all. Morris's Age of Arthur prompted archaeologist Nowell Myres to observe that "no figure on the borderline of history and mythology has wasted more of the historian's time". Gildas' 6th-century polemic De Excidio et Conquestu Britanniae (On the Ruin and Conquest of Britain), written within living memory of Mount Badon, mentions the battle but does not mention Arthur. Arthur is not mentioned in the Anglo-Saxon Chronicle or named in any surviving manuscript written between 400 and 820.[12] He is absent from Bede's early 8th-century Ecclesiastical History of the English People, another major early source for post-Roman history that mentions Mount Badon.[13] Historian David Dumville has written: "I think we can dispose of him [Arthur] quite briefly. He owes his place in our history books to a 'no smoke without fire' school of thought ... The fact of the matter is that there is no historical evidence about Arthur; we must reject him from our histories and, above all, from the titles of our books."

Some scholars argue that Arthur was originally a fictional hero of folklore – or even a half-forgotten Celtic deity – who became credited with real deeds in the distant past. They cite parallels with figures such as the Kentish totemic horse-gods Hengest and Horsa, who later became historicised. Bede ascribed to these legendary figures a historical role in the 5th-century Anglo-Saxon conquest of eastern Britain. It is not even certain that Arthur was considered a king in the early texts. Neither the Historia nor the Annales calls him "rex": the former calls him instead "dux bellorum" (leader of battles) and "miles" (soldier).

Historical documents for the post-Roman period are scarce, so a definitive answer to the question of Arthur's historical existence is unlikely. Sites and places have been identified as "Arthurian" since the 12th century, but archaeology can confidently reveal names only through inscriptions found in secure contexts. The so-called "Arthur stone", discovered in 1998 among the ruins at Tintagel Castle in Cornwall in securely dated 6th-century contexts, created a brief stir but proved irrelevant. Other inscriptional evidence for Arthur, including the Glastonbury cross, is tainted with the suggestion of forgery. Although several historical figures have been proposed as the basis for Arthur, no convincing evidence for these identifications has emerged.

Name
Main article: Arthur
The origin of the Welsh name Arthur remains a matter of debate. Some suggest it is derived from the Latin family name Artorius, of obscure and contested etymology(but possibly of Messapic or Etruscan origin). Others propose a derivation from Welsh arth (earlier art), meaning "bear", suggesting art-ur (earlier *Arto-uiros), "bear-man", is the original form, although there are difficulties with this theory – notably that a Brittonic compound name *Arto-uiros should produce Old Welsh *Artgur and Middle/Modern Welsh *Arthwr and not Arthur (in Welsh poetry the name Arthur is always rhymed with words ending in -ur - never with words ending in -wr - which confirms that the second element cannot be [g]wr "man"). It may be relevant to this debate that Arthur's name appears as Arthur, or Arturus, in early Latin Arthurian texts, never as Artorius. However, this may not say anything about the origin of the name Arthur, as Artorius would regularly become Art(h)ur when borrowed into Welsh; all it would mean, as John Koch has pointed out, is that the surviving Latin references to a historical Arthur (if he was called Artorius and really existed) must date from after the 6th century.

An alternative theory links the name Arthur to Arcturus, the brightest star in the constellation Boötes, near Ursa Major or the Great Bear. The name means "guardian of the bear" or "bear guard". Classical Latin Arcturus would have developed into Late Latin Arturus and would have become Art(h)ur when borrowed into Welsh. Its brightness and position in the sky led people to regard it as the "guardian of the bear" (due to its proximity to Ursa Major) and the "leader" of the other stars in Boöte It is important to note, however, that Arcturus does not seem to have been used as a personal or divine name by the Romans. The exact significance of such etymologies is unclear. It is often assumed that an Artorius derivation would mean that the legends of Arthur had a genuine historical core, but recent studies suggest that this assumption may not be well founded. By contrast, a derivation of the name Arthur from Arcturus might be taken to indicate a non-historical origin for the legends of Arthur.

[edit] Medieval literary traditions
The creator of the familiar literary persona of Arthur was Geoffrey of Monmouth, with his pseudo-historical Historia Regum Britanniae (History of the Kings of Britain), written in the 1130s. The textual sources for Arthur are usually divided into those written before Geoffrey's Historia (known as pre-Galfridian texts, from the Latin form of Geoffrey, Galfridus) and those written afterwards, which could not avoid his influence (Galfridian, or post-Galfridian, texts).

Pre-Galfridian traditions

A facsimile page of Y Gododdin, one of the most famous early Welsh texts featuring Arthur, c. 1275The earliest literary references to Arthur come from Welsh and Breton sources. There have been few attempts to define the nature and character of Arthur in the pre-Galfridian tradition as a whole, rather than in a single text or text/story-type. One recent academic survey that does attempt this, by Thomas Green, identifies three key strands to the portrayal of Arthur in this earliest material.[35] The first is that he was a peerless warrior who functioned as the monster-hunting protector of Britain from all internal and external threats. Some of these are human threats, such as the Saxons he fights in the Historia Brittonum, but the majority are supernatural, including giant cat-monsters, destructive divine boars, dragons, dogheads, giants and witches. The second is that the pre-Galfridian Arthur was a figure of folklore (particularly topographic or onomastic folklore) and localised magical wonder-tales, the leader of a band of superhuman heroes who live in the wilds of the landscape. The third and final strand is that the early Welsh Arthur had a close connection with the Welsh Otherworld, Annwn. On the one hand, he launches assaults on Otherworldly fortresses in search of treasure and frees their prisoners. On the other, his warband in the earliest sources includes former pagan gods, and his wife and his possessions are clearly Otherworldly in origin.

One of the most famous Welsh poetic references to Arthur comes in the collection of heroic death-songs known as Y Gododdin (The Gododdin), attributed to the 6th-century poet Aneirin. In one stanza, the bravery of a warrior who slew 300 enemies is praised, but it is then noted that despite this "he was no Arthur", that is to say his feats cannot compare to the valour of Arthur. Y Gododdin is known only from a 13th-century manuscript, so it is impossible to determine whether this passage is original or a later interpolation, but John Koch's view that the passage dates from a 7th-century or earlier version is regarded as unproven; 9th- or 10th-century dates are often proposed for it Several poems attributed to Taliesin, a poet said to have lived in the 6th century, also refer to Arthur, although these all probably date from between the 8th and 12th centuries.[41] They include "Kadeir Teyrnon" ("The Chair of the Prince"), which refers to "Arthur the Blessed", "Preiddeu Annwn" ("The Spoils of Annwn"), which recounts an expedition of Arthur to the Otherworld, and "Marwnat vthyr pen[dragon]" ("The Elegy of Uther Pen[dragon]"), which refers to Arthur's valour and is suggestive of a father-son relationship for Arthur and Uther that pre-dates Geoffrey of Monmouth.


Culhwch entering Arthur's Court in the Welsh tale Culhwch and Olwen, 1881Other early Welsh Arthurian texts include a poem found in the Black Book of Carmarthen, "Pa gur yv y porthaur?" ("What man is the gatekeeper?"). This takes the form of a dialogue between Arthur and the gatekeeper of a fortress he wishes to enter, in which Arthur recounts the names and deeds of himself and his men, notably Cei (Kay) and Bedwyr (Bedivere). The Welsh prose tale Culhwch and Olwen (c. 1100), included in the modern Mabinogion collection, has a much longer list of more than 200 of Arthur's men, though Cei and Bedwyr again take a central place. The story as a whole tells of Arthur helping his kinsman Culhwch win the hand of Olwen, daughter of Ysbaddaden Chief-Giant, by completing a series of apparently impossible tasks, including the hunt for the great semi-divine boar Twrch Trwyth. The 9th-century Historia Brittonum also refers to this tale, with the boar there named Troy(n)t. Finally, Arthur is mentioned numerous times in the Welsh Triads, a collection of short summaries of Welsh tradition and legend which are classified into groups of three linked characters or episodes in order to assist recall. The later manuscripts of the Triads are partly derivative from Geoffrey of Monmouth and later continental traditions, but the earliest ones show no such influence and are usually agreed to refer to pre-existing Welsh traditions. Even in these, however, Arthur's court has started to embody legendary Britain as a whole, with "Arthur's Court" sometimes substituted for "The Island of Britain" in the formula "Three XXX of the Island of Britain". While it is not clear from the Historia Brittonum and the Annales Cambriae that Arthur was even considered a king, by the time Culhwch and Olwen and the Triads were written he had become Penteyrnedd yr Ynys hon, "Chief of the Lords of this Island", the overlord of Wales, Cornwall and the North

In addition to these pre-Galfridian Welsh poems and tales, Arthur appears in some other early Latin texts besides the Historia Brittonum and the Annales Cambriae. In particular, Arthur features in a number of well-known vitae ("Lives") of post-Roman saints, none of which are now generally considered to be reliable historical sources (the earliest probably dates from the 11th century). According to the Life of Saint Gildas, written in the early 12th century by Caradoc of Llancarfan, Arthur is said to have killed Gildas' brother Hueil and to have rescued his wife Gwenhwyfar from Glastonbury. In the Life of Saint Cadoc, written around 1100 or a little before by Lifris of Llancarfan, the saint gives protection to a man who killed three of Arthur's soldiers, and Arthur demands a herd of cattle as wergeld for his men. Cadoc delivers them as demanded, but when Arthur takes possession of the animals, they turn into bundles of ferns.[51] Similar incidents are described in the medieval biographies of Carannog, Padarn and Eufflam, probably written around the 12th century. A less obviously legendary account of Arthur appears in the Legenda Sancti Goeznovii, which is often claimed to date from the early 11th century although the earliest manuscript of this text dates from the 15th century. Also important are the references to Arthur in William of Malmesbury's De Gestis Regum Anglorum and Herman's De Miraculis Sanctae Mariae Laudensis, which together provide the first certain evidence for a belief that Arthur was not actually dead and would at some point return, a theme that is often revisited in post-Galfridian folklore.

Geoffrey of Monmouth

Mordred, Arthur's final foe according to Geoffrey of Monmouth, illustrated by H. J. Ford for Andrew Lang's King Arthur: The Tales of the Round Table, 1902The first narrative account of Arthur's life is found in Geoffrey of Monmouth's Latin work Historia Regum Britanniae (History of the Kings of Britain). This work, completed c. 1138, is an imaginative and fanciful account of British kings from the legendary Trojan exile Brutus to the 7th-century Welsh king Cadwallader. Geoffrey places Arthur in the same post-Roman period as do Historia Brittonum and Annales Cambriae. He incorporates Arthur's father, Uther Pendragon, his magician advisor Merlin, and the story of Arthur's conception, in which Uther, disguised as his enemy Gorlois by Merlin's magic, sleeps with Gorlois's wife Igerna at Tintagel, and she conceives Arthur. On Uther's death, the fifteen-year-old Arthur succeeds him as King of Britain and fights a series of battles, similar to those in the Historia Brittonum, culminating in the Battle of Bath. He then defeats the Picts and Scots before creating an Arthurian empire through his conquests of Ireland, Iceland and the Orkney Islands. After twelve years of peace, Arthur sets out to expand his empire once more, taking control of Norway, Denmark and Gaul. Gaul is still held by the Roman Empire when it is conquered, and Arthur's victory naturally leads to a further confrontation between his empire and Rome's. Arthur and his warriors, including Kaius (Kay), Beduerus (Bedivere) and Gualguanus (Gawain), defeat the Roman emperor Lucius Tiberius in Gaul but, as he prepares to march on Rome, Arthur hears that his nephew Modredus (Mordred) – whom he had left in charge of Britain – has married his wife Guenhuuara (Guinevere) and seized the throne. Arthur returns to Britain and defeats and kills Modredus on the river Camblam in Cornwall, but he is mortally wounded. He hands the crown to his kinsman Constantine and is taken to the isle of Avalon to be healed of his wounds, never to be seen again.


Merlin the wizard, c. 1300 How much of this narrative was Geoffrey's own invention is open to debate. Certainly, Geoffrey seems to have made use of the list of Arthur's twelve battles against the Saxons found in the 9th-century Historia Brittonum, along with the battle of Camlann from the Annales Cambriae and the idea that Arthur was still alive. Arthur's personal status as the king of all Britain would also seem to be borrowed from pre-Galfridian tradition, being found in Culhwch and Olwen, the Triads and the Saints' Lives. Finally, Geoffrey borrowed many of the names for Arthur's possessions, close family and companions from the pre-Galfridian Welsh tradition, including Kaius (Cei), Beduerus (Bedwyr), Guenhuuara (Gwenhwyfar), Uther (Uthyr) and perhaps also Caliburnus (Caledfwlch), the latter becoming Excalibur in subsequent Arthurian tales. However, while names, key events and titles may have been borrowed, Brynley Roberts has argued that "the Arthurian section is Geoffrey’s literary creation and it owes nothing to prior narrative." So, for instance, the Welsh Medraut is made the villainous Modredus by Geoffrey, but there is no trace of such a negative character for this figure in Welsh sources until the 16th century. There have been relatively few modern attempts to challenge this notion that the Historia Regum Britanniae is primarily Geoffrey's own work, with scholarly opinion often echoing William of Newburgh's late-12th-century comment that Geoffrey "made up" his narrative, perhaps through an "inordinate love of lying". Geoffrey Ashe is one dissenter from this view, believing that Geoffrey's narrative is partially derived from a lost source telling of the deeds of a 5th-century British king named Riotamus, this figure being the original Arthur, although historians and Celticists have been reluctant to follow Ashe in his conclusions.

Whatever his sources may have been, the immense popularity of Geoffrey's Historia Regum Britanniae cannot be denied. Well over 200 manuscript copies of Geoffrey’s Latin work are known to have survived, and this does not include translations into other languages. Thus, for example, around 60 manuscripts are extant containing Welsh-language versions of the Historia, the earliest of which were created in the 13th century; the old notion that some of these Welsh versions actually underlie Geoffrey's Historia, advanced by antiquarians such as the 18th-century Lewis Morris, has long since been discounted in academic circles. As a result of this popularity, Geoffrey's Historia Regum Britanniae was enormously influential on the later medieval development of the Arthurian legend. While it was by no means the only creative force behind Arthurian romance, many of its elements were borrowed and developed (e.g., Merlin and the final fate of Arthur), and it provided the historical framework into which the romancers' tales of magical and wonderful adventures were inserted.

lunes, 8 de marzo de 2010

The ravens in the tower of london



Ravens in the Tower of London



The Ravens in the Tower of London
The Ravens in the Tower of London has an important part to play in its history. The legend of the Ravens in the Tower of London is so important to the people of England that a number of ravens are kept at the Tower of London at the expense of the British government. Legend has it that failing to keep ravens at the Tower of London will mean the great White Tower will crumble and a terrible disaster shall befall England.

The Myths and Legends regarding Ravens
In most parts of the world the raven is considered a prophet and a bad omen, a symbol of the supernatural. Ravens have a place in the myths and legends of many ancient people and are linked to the Greek Goddess Hecate and the Norse God Odin as symbols of the underworld. The croaking of a raven is believe to represent the speech of the dead! During the Middle Ages the relationship of the raven was transferred to the witch and referred to as an example of a Witches Familiar. The raven is also mentioned in Celtic myths and legends and has been associated with raven goddess of Battle and Strife - Morrigan and the son of the Sea God called Bran Fendigaid (The name 'Bran' means Raven). And these myths and legends lead us to the Tower of London.

The Legend of the Ravens in the Tower of London
The Legend of the Ravens in the Tower of London was instigated, in the main, to a Medieval chronicler called Geoffrey of Monmouth. The stories of many Welsh Celtic legends and Myths, and their authenticity, were raised by Geoffrey of Monmouth. In 1136 Geoffrey of Monmouth wrote a book called Historia Regum Britanniae - the History of the King's of Britain. In this book Geoffrey of Monmouth refers to an early British King called King Bran Hen of Bryneich (born c.485). The Welsh word for Raven is Bran. This ancient King of the Dark Ages was killed in a battle and requested that his head was buried, as a talisman against invasion, on Gwynfryn (the 'White Mount') where The Tower of London now stands. To this day ravens are accepted as highly important and necessary occupants of the Tower of London. Legend has it that should the ravens ever leave the Tower of London the White Tower will crumble and a great disaster shall befall England.

The Ravens in the Tower of London and King Charles II
King Charles II is believed to be the Monarch who decreed that at least six ravens should be kept at the Tower at all times to prevent disaster. The unconfirmed story of his involvement was prompted by a request from John Flamsteed (1646 - 1719), the 'astronomical observator'. The Royal Observatory was housed in the north eastern turret of the White Tower and John Flamsteed complained to King Charles II that the ravens were interfering with his observations. The King ordered their destruction but was told that if the ravens left the Tower of London that the great White Tower would fall and a terrible disaster would befall England. Not wanting to tempt fate by flouting ancient legend King Charles changed his mind and decreed that at least six ravens should be kept at the Tower at all times to prevent disaster.

Raven's Lodgings and the Ravenmaster in the Tower of London
In deference to the ancient legend and the decree of King Charles II at least six ravens are provided with Raven's Lodgings at the Tower of London. A Yeoman Warder, or Beefeater, has the specific role of Ravenmaster at the Tower and takes care of their feeding and well being. Ravens can be quite vicious birds and they only respond to the Ravenmaster. The Ravenmaster builds this relationship with the ravens as he takes the fledglings into his home and hand rears them over a period of about six weeks. Ravens live up to an average of 25 years, but have been known to reach the age of 45 years. To prevent the birds from flying away one of their wings is clipped by the Ravenmaster. This does not hurt or harm the raven in any way. Clipping their wing unbalances their flight ensuring that they don't stray too far from the Tower. Ravens are members of the crow family, Corvus, and are eaters of carrion and live mainly on dead flesh. The Raven's lodgings are located next to the Wakefield Tower and are kept at the Tower of London at the expense of the British government.

sábado, 6 de marzo de 2010

The vampires of Highgate

Highgate Vampire - The Legend

Highgate Cemetery was constructed in 1839 and it was a very fashionable burial place for Victorians. By the 1960's Highgate Cemetery had fallen into neglect and decay. Stories started circulating that the cemetery was haunted and newspapers started reporting England's first Vampire in over a hundred years.

In 1963 two 16 year old convent girls were walking home at night after having visited friends in Highgate Village. Their return journey took them down Swain's Lane past the cemetery. They could not believe their eyes as they passed the graveyard's north gate at the top of the lane, for in front of them, bodies appeared to be emerging from their tombs.

Another incident, some weeks later, involved a couple who were also walking down Swains lane. The lady recorded glimpsing something hideous hovering behind the gate's iron railings. Her fianc� also saw it, and both stood frozen staring at it for what seemed like several minutes. Its face bore an expression of absolute horror.

Soon others sighted the same phantom as it hovered along the path behind the gate where gravestones are visible either side until consumed in darkness. Some who actually witnessed the spectral figure wrote to their local newspaper to share their experience. Discoveries were made of animal carcasses drained of blood. Very soon it was being described as a vampire.

In 1971 several years after the many publicised vampire sightings, a young girl claims she was actually attacked by the vampire in the lane outside the cemetery. She was returning home in the early hours of the morning when she was suddenly thrown to the ground with tremendous force by a "tall black figure with a deathly white face. At that moment a car stopped to help her and the vampire "vanished" in the glare of the headlamps.

She was taken to the police station in a state of shock, luckily only suffering abrasions to her arms and legs. The police immediately made a thorough search of the area, but could offer no explanation to the incident. More mysterious still was the fact that where the vampire vanished, the road was lined by 12ft walls.

Another interesting case is that of the man who was hypnotised by something in the cemetery. He had gone into the cemetery one evening to look around, and as the light began to rapidly fade he decided to leave, but became hopelessly lost. Not being a superstitious person he walked calmly around looking for the gate when suddenly he became aware of something behind him. Swinging around he became "hypnotised with fear" at the tall dark figure of the vampire confronted him. So great was the intensity of his fear that he stood motionless for several minutes after the vampire vanished. He later recalled that it was almost as if he had been paralysed with fear by some force.


Sherlock Holmes


Sherlock Holmes is a fictional character of the late nineteenth and early twentieth centuries who first appeared in publication in 1887. He was the creation of Scottish author and physician Sir Arthur Conan Doyle. A brilliant London-based "consulting detective", Holmes is famous for his intellectual prowess and is renowned for his skillful use of astute observation, deductive reasoning and forensic skills to solve difficult cases.

Conan Doyle wrote four novels and fifty-six short stories that feature Holmes. The first story, A Study in Scarlet, appeared in Beeton's Christmas Annual in 1887 and the second, The Sign of the Four, in Lippincott's Monthly Magazine in 1890. The character grew tremendously in popularity with the beginning of the first series of short stories in The Strand Magazine in 1891; further series of short stories and two serialised novels appeared until 1927. The stories cover a period from around 1880 up to 1907, with a final case in 1914.

All but four stories are narrated by Holmes' friend and biographer, Dr. John H. Watson; two are narrated by Holmes himself ("The Blanched Soldier" and "The Lion's Mane") and two others are written in the third person ("The Mazarin Stone" and "His Last Bow"). In two stories ("The Musgrave Ritual" and "The Gloria Scott"), Holmes tells Watson the main story from his memories, while Watson becomes the narrator of the frame story.

Conan Doyle said that the character of Holmes was inspired by Dr. Joseph Bell, for whom Doyle had worked as a clerk at the Edinburgh Royal Infirmary. Like Holmes, Bell was noted for drawing large conclusions from the smallest observations.

Biography

Early life

Explicit details about Sherlock Holmes' life outside of the adventures recorded by Dr. Watson are few and far between in Conan Doyle's original stories; nevertheless, incidental details about his early life and extended families do construct a loose biographical picture of the detective.

An estimate of Holmes' age in the story "His Last Bow" places his birth around 1854; commonly, the date is cited as 6 January. However, on her website, Laurie R. King gives an argument for a younger Holmes, with a birth date somewhere between 1863 and 1868.

Holmes states that he first developed his deduction methods while an undergraduate. The author Dorothy L. Sayers suggested that, given details in two of the Adventures, Holmes must have been at Cambridge rather than Oxford and that "of all the Cambridge colleges, Sidney Sussex [College] perhaps offered the greatest number of advantages to a man in Holmes’ position and, in default of more exact information, we may tentatively place him there".His earliest cases, which he pursued as an amateur, came from fellow university students.According to Holmes, it was an encounter with the father of one of his classmates that led him to take up detection as a profession and he spent the six years following university working as a consulting detective, before financial difficulties led him to take Watson as a roommate, at which point the narrative of the stories begins.

From 1881, Holmes is described as having lodgings at 221B Baker Street, London, from where he runs his private detective agency. 221B is a flat up seventeen steps, stated in an early manuscript to be at the "upper end" of the road. Until the arrival of Dr. Watson, Holmes works alone, only occasionally employing agents from the city's underclass, including a host of informants and a group of street children he calls the Baker Street Irregulars. The Irregulars appear in three stories, "The Sign of the Four", "A Study in Scarlet" and "The Adventure of the Crooked Man".

Little is said of Holmes' family. His parents are unmentioned in the stories and he merely states that his ancestors were "country squires". In "The Adventure of the Greek Interpreter", Holmes claims that his great-uncle was Vernet, the French artist. He has an older brother, Mycroft, a government official, who appears in three stories;he is mentioned in a number of others.Mycroft has a unique civil service position as a kind of memory-man or walking database for all aspects of government policy. Mycroft is described as even more gifted than Sherlock in matters of observation and deduction. However, he lacks Sherlock's drive and energy, preferring to spend his time at ease in the Diogenes Club, described as "a club for the most un-clubbable men in London."

It's unclear whether Holmes has any other siblings. In "The Adventure of the Copper Beeches", Holmes says, "I confess that it is not the situation which I should like to see a sister of mine apply for", leading some to suppose the existence of same. But he mentions this only to warn a woman in a case, taking her as his sister; therefore, this may be a mere figure of speech.

Life with Dr Watson

Holmes shares the majority of his professional years with his good friend and chronicler Watson, who lives with Holmes for some time before his marriage in 1887, and again after his wife's death; his residence is maintained by his landlady, Mrs. Hudson.

Watson has two roles in Holmes' life. First, he gives practical assistance in the conduct of his cases; he is the detective's right-hand man, acting variously as look-out, decoy, accomplice and messenger. Second, he is Holmes' chronicler (his "Boswell" as Holmes refers to him). Most of the Holmes stories are frame narratives, written from Watson's point of view as summaries of the detective's most interesting cases. Holmes is often described as criticising Watson's writings as sensational and populist, suggesting that they neglect to accurately and objectively report the pure calculating "science" of his craft.

"Detection is, or ought to be, an exact science and should be treated in the same cold and unemotional manner. You have attempted to tinge it [A Study in Scarlet] with romanticism, which produces much the same effect as if you worked a love-story...Some facts should be suppressed, or, at least, a just sense of proportion should be observed in treating them. The only point in the case which deserved mention was the curious analytical reasoning from effects to causes, by which I succeeded in unravelling it."
—Sherlock Holmes on Watson's "pamphlet", "A Study in Scarlet".
Nevertheless, Holmes' friendship with Watson is his most significant relationship. In several stories, Holmes' fondness for Watson—often hidden beneath his cold, intellectual exterior—is revealed. For instance, in "The Adventure of the Three Garridebs", Watson is wounded in a confrontation with a villain; while the bullet wound proves to be "quite superficial", Watson is moved by Holmes' reaction:

"It was worth a wound; it was worth many wounds; to know the depth of loyalty and love which lay behind that cold mask. The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation."
In all, Holmes is described as being in active practice for twenty-three years, with Watson documenting his cases for seventeen of them.

Retirement

In "His Last Bow", Holmes has retired to a bee farm on the Sussex Downs in 1903–1904, where he takes up the hobby of beekeeping as his primary occupation, eventually producing a "Practical Handbook of Bee Culture, with some Observations upon the Segregation of the Queen". Only one adventure, "The Adventure of the Lion's Mane", which is narrated by Holmes himself as he pursues the case as an amateur, takes place during the detective's retirement, His Last Bow features Holmes and Watson coming out of retirement one last time to aid the War Effort.

Habits and personality

Watson describes Holmes as "bohemian" in habits and lifestyle. According to Watson, Holmes is an eccentric, with no regard for contemporary standards of tidiness or good order. In an early story, Watson describes Holmes thus:

Although in his methods of thought he was the neatest and most methodical of mankind...[he] keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece... He had a horror of destroying documents...Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner.
What appears to others as chaos, however, is to Holmes a wealth of useful information. Throughout the stories, Holmes would dive into his apparent mess of random papers and artifacts, only to retrieve precisely the specific document or eclectic item he was looking for.

Watson frequently makes note of Holmes' erratic eating habits. The detective is often described as starving himself at times of intense intellectual activity, such as during "The Adventure of the Norwood Builder" where, according to Watson:

[Holmes] had no breakfast for himself, for it was one of his peculiarities that in his more intense moments he would permit himself no food, and I have known him to presume upon his iron strength until he has fainted from pure inanition.
His chronicler does not consider Holmes' habitual use of a pipe, or his less-frequent use of cigarettes and cigars, a vice. Nor does Watson condemn Holmes' willingness to bend the truth or break the law on behalf of a client (e.g., lying to the police, concealing evidence or breaking into houses) where he feels it morally justifiable. Even so, it is obvious that Watson has stricter limits than Holmes, and occasionally berated Holmes for creating a "poisonous atmosphere" of tobacco smoke. Holmes himself references Watson's moderation in The Adventure of the Devil's Foot, saying "I think, Watson, that I shall resume that course of tobacco-poisoning which you have so often and so justly condemned." Watson also did not condone Holmes' plans when they manipulated innocent people, such as when he toyed with a young woman's heart in The Adventure of Charles Augustus Milverton.

Holmes is portrayed as a patriot, acting on behalf of the government in matters of national security in a number of stories. He also carries out counter-intelligence work in His Last Bow, set at the beginning of WWI. As shooting practice, the detective adorned the wall of his Baker Street lodgings with "VR" (Victoria Regina) in bullet pocks made by his pistol.

Holmes has an ego that at times borders on arrogant, albeit with justification; he draws pleasure from baffling police inspectors with his superior deductions. He does not seek fame, however, and is usually content to allow the police to take public credit for his work. It's often only when Watson publishes his stories that Holmes' role in the case becomes apparent.

Holmes is pleased when he is recognised for having superior skills and responds to flattery, as Watson remarks, as a girl does upon her beauty.

Holmes' demeanour is presented as dispassionate and cold. Yet when in the midst of an adventure, Holmes can sparkle with remarkable passion. He has a flair for showmanship and will prepare elaborate traps to capture and expose a culprit, often to impress Watson or one of the Scotland Yard inspectors.

Holmes is a loner and does not strive to make friends. He attributes his solitary ways to his particular interests and his mopey disposition. In the Adventure of Gloria Scott, he tells Watson that during two years at college, he made only one friend, Victor Trevor. Holmes says, "I was never a very sociable fellow, Watson, always rather fond of moping in my rooms and working out my own little methods of thought, so that I never mixed much with the men of my year... my line of study was quite distinct from that of the other fellows, so that we had no points of contact at all." He is similarly described in A Study in Scarlet as difficult to draw out by young Stamford. Holmes also warns Watson, at their first meeting in A Study in Scarlet, that he gets "in the dumps at times," and doesn't open his "mouth for days on end."

Personal appearance

In matters of personal hygiene, by contrast, Holmes is described in The Hound of the Baskervilles as having a "cat-like" love of personal cleanliness. This in no way appears to hinder his intensely practical pursuit of his profession, however; in the first Holmes story, A Study in Scarlet, his hands are discoloured with acid stains and Holmes uses drops of his own blood to conduct experiments in chemistry and forensics.

Use of drugs

Holmes occasionally uses addictive drugs, especially when lacking stimulating cases. He is a habitual user of cocaine, which he injects in a seven-per-cent solution using a special syringe that he keeps in a leather case. Holmes is also an occasional user of morphine, but expressed strong disapproval on visiting an opium den. The 2002 movie Sherlock: Case of Evil depicts him using heroin, though that never appears in the original stories. All these drugs were legal in late-19th-century England. Both Watson and Holmes are serial tobacco users, including cigarettes, cigars and pipes. Indeed, Holmes is expert at identifying tobacco ash residues, having penned a monograph on the subject.

Dr. Watson strongly disapproves of his friend's cocaine habit, describing it as the detective's "only vice," and expressing concern over its possible effect on Holmes' mental health and superior intellect. In later stories, Watson claims to have "weaned" Holmes off drugs. Even so, according to his doctor friend, Holmes remains an addict whose habit is "not dead, but merely sleeping."

Financial affairs

Although he initially needed Watson to share the rent of his comfortable residence at 221B Baker Street, Watson reveals in "The Adventure of the Dying Detective", when Holmes was living alone, that "I have no doubt that the house might have been purchased at the price which Holmes paid for his rooms," suggesting he had developed a good income from his practice, although it is seldom revealed exactly how much he charges for his services. In "A Scandal in Bohemia", he is paid the staggering sum of one thousand pounds (300 in gold and 700 in notes) as advance payment for "present expenses". In "The Problem of Thor Bridge" he avers: "My professional charges are upon a fixed scale. I do not vary them, save when I remit them altogether..."

This is said in a context where a client is offering to double his fees; however, it is likely that rich clients provided Holmes a remuneration greatly in excess of his standard fee. For example, in "The Adventure of the Final Problem", Holmes states that his services to the government of France and the royal house of Scandinavia had left him with enough money to retire comfortably, while in "The Adventure of Black Peter", Watson notes that Holmes would refuse to help the wealthy and powerful if their cases did not interest him, while he could devote weeks at a time to the cases of the most humble clients. Holmes also tells Watson, in "A Case of Identity", of a golden snuff box received from the King of Bohemia after "A Scandal in Bohemia" and a fabulous ring from the Dutch royal family; in "The Adventure of the Bruce-Partington Plans", Holmes receives an emerald tie-pin from Queen Victoria. Other mementos of Holmes' cases are a gold sovereign from Irene Adler ("A Scandal in Bohemia") and an autographed letter of thanks from the French President and a Legion of Honour for tracking down an assassin named Huret ("The Adventure of the Golden Pince-Nez"). In "The Adventure of the Priory School", Holmes "rubs his hands with glee" when the Duke of Holdernesse notes the sum, which surprises even Watson, and then pats the cheque, saying "I am a poor man," an incident that could be dismissed as Holmes' tendency toward ironic humour. Certainly, in the course of his career Holmes had worked for both the most powerful monarchs and governments of Europe (including his own) and various wealthy aristocrats and industrialists, and had also been consulted by impoverished pawnbrokers and humble governesses on the lower rungs of society.

Holmes has been known to charge clients for his expenses, and to claim any reward that might be offered for the solution's problem: he says in "The Adventure of the Speckled Band" that Miss Stoner may pay any expenses he may be put to, and requests that the bank in "The Red-Headed League" remunerate him for the money he spent solving the case. Holmes has his wealthy banker client in "The Adventure of the Beryl Coronet" pay him for the costs of recovering the stolen gems, and also claims the reward the banker had put for their recovery.

Relationships with women

The only woman to impress Holmes was Irene Adler, who was always referred to by Holmes as "the woman". Holmes himself is never directly quoted as using this term—even though he does mention her actual name several times in other cases. Adler is one of the few women who are mentioned in multiple Holmes stories, though she actually appears in person in only one, "A Scandal in Bohemia".

In one story, "The Adventure of Charles Augustus Milverton", Holmes is engaged to be married, but only with the motivation of gaining information for his case. He demonstrates clear interest in several of the more charming female clients that come his way (in particular, Violet Hunter in "The Adventure of the Copper Beeches"). Holmes inevitably "manifested no further interest in the client when once she had ceased to be the centre of one of his problems." Holmes found their youth, beauty, and energy (and the cases they brought to him) invigorating, as distinct to any romantic interest. These episodes show Holmes possesses a degree of charm, yet, apart from the case of Adler, there is no indication of a serious or long-term interest. Watson states that Holmes has an "aversion to women" but "a peculiarly ingratiating way with [them]." Holmes states, "I am not a whole-souled admirer of womankind"; in fact, he finds "the motives of women... so inscrutable... How can you build on such quicksand? Their most trivial actions may mean volumes... their most extraordinary conduct may depend upon a hairpin." However, as Doyle remarked to muse Joseph Bell, "Holmes is as inhuman as a Babbage's calculating machine and just about as likely to fall in love".

A further point of interest in Holmes' relationships with women is that the only joy he derives from their company is the problems they bring to him to solve. In The Sign of the Four, Watson quotes Holmes as being "an automaton, a calculating machine," and Holmes is quoted as saying, "It is of the first importance, not to allow your judgement to be biased by personal qualities. A client is to me a mere unit, -- a factor in a problem. The emotional qualities are antagonistic to clear reasoning. I assure you that the most winning woman I ever knew was hanged for poisoning three little children for their insurance-money..." This references Holmes' lack of interest in relationships with women in general, and clients in particular, as Watson states that "there is something positively inhuman in you at times." At the end of "The Adventure of the Devil's Foot", Holmes states: "I have never loved, Watson, but if I did and if the woman I loved had met such an end, I might act as our lawless lion-hunter had done." In the story, the explorer Dr Sterndale had killed the man who murdered his beloved, Brenda Tregennis, to exact a revenge which the law could not provide. Watson writes in "The Adventure of the Dying Detective" that Mrs Hudson is fond of Holmes in her own way, despite his bothersome eccentricities as a lodger, owing to his "remarkable gentleness and courtesy in his dealings with women." Again in The Sign of the Four, Watson quotes Holmes as saying, "I would not tell them too much. Women are never to be entirely trusted, -- not the best of them." Watson notes that while he dislikes and distrusts them, he is nonetheless a "chivalrous opponent."

Methods of detection

Holmesian deduction

Holmes' primary intellectual detection method is deductive reasoning of the solution to a crime. "From a drop of water," he writes, "a logician could infer the possibility of an Atlantic or a Niagara without having seen or heard of one or the other." Holmes stories often begin with a bravura display of his talent for "deduction". It is of some interest to logicians and those interested in logic to try to analyse just what Holmes is doing when he performs his deduction. Holmesian deduction appears to consist primarily of drawing inferences based on either straightforward practical principles—which are the result of careful inductive study, such as Holmes's study of different kinds of cigar ashes or inference to the best explanation. In fact, one quote often heard from Holmes is "When you remove the impossible, whatever remains, however improbable, must be the truth".

Holmes' straightforward practical principles are generally of the form, "If 'p', then 'q'," where 'p' is observed evidence and 'q' is what the evidence indicates. But there are also, as may be observed in the following example, intermediate principles. In "A Scandal in Bohemia" Holmes deduces that Watson had got very wet lately and that he had "a most clumsy and careless servant girl." When Watson, in amazement, asks how Holmes knows this, Holmes answers:

“ It is simplicity itself... My eyes tell me that on the inside of your left shoe, just where the firelight strikes it, the leather is scored by six almost parallel cuts. Obviously they have been caused by someone who has very carelessly scraped round the edges of the sole in order to remove crusted mud from it. Hence, you see, my double deduction that you had been out in vile weather, and that you had a particularly malignant boot-slitting specimen of the London slavey. ”

In this case, Holmes employed several connected principles:

If leather on the side of a shoe is scored by several parallel cuts, it was caused by someone who scraped around the edges of the sole in order to remove crusted mud.
If a London doctor's shoes are scraped to remove crusted mud, the person who so scraped them is the doctor's servant girl.
If someone cuts a shoe while scraping it to remove encrusted mud, that person is clumsy and careless.
If someone's shoes had encrusted mud on them, then they are likely to have been with him in the rain therefore that person is likely to be an associate.
By applying such principles in an obvious way (using repeated applications of modus ponens), Holmes is able to infer that:

"The sides of Watson's shoes are scored by several parallel cuts"; to "Watson's servant girl is clumsy and careless"; and "Watson has been very wet lately and has been out in vile weather."

Deductive reasoning allows Holmes to impressively reveal a stranger's occupation, such as a Retired Sergeant of Marines in A Study in Scarlet; a former ship's carpenter turned pawnbroker in "The Red-Headed League"; and a billiard-marker and a retired artillery NCO in "The Adventure of the Greek Interpreter". Similarly, by studying inanimate objects, Holmes is able to make astonishingly detailed deductions about their owners, including Watson's pocket-watch in "The Sign of the Four," as well as a hat,a pipe,and a walking stick in other stories.

Once he has amassed a large body of evidence and deduced a number of possible explanations, Holmes proceeds to find the one explanation that fits all the facts of the case to produce a solution. As Holmes explains to Watson, "When you have eliminated the impossible, whatever remains, however improbable, must be the truth."

Disguise

Holmes displays a strong aptitude for acting and disguise. In several stories, he adopts disguises to gather evidence while 'under cover' so convincing that even Watson fails to penetrate them, such as in "The Adventure of Charles Augustus Milverton", "The Man with the Twisted Lip" and "A Scandal in Bohemia". In other adventures, Holmes feigns being wounded or ill to give effect to his case, or to incriminate those involved, as in "The Adventure of the Dying Detective."

Weapons and martial arts

Pistols
Holmes and Watson carry pistols with them; in the case of Watson often his old service revolver. However, Watson only describes these weapons as being used on seven occasions.
Cane
Holmes, as a gentleman, often carries a stick or cane. He is described by Watson as an expert at singlestick, and twice uses his cane as a weapon.
Sword
In "A Study in Scarlet" Watson describes Holmes as an expert with a sword—although none of the stories have Holmes using a sword. It is mentioned in "Gloria Scott" that Holmes practised fencing.
Riding crop
In several stories, Holmes appears equipped with a riding crop and in "A Case of Identity" comes close to thrashing a swindler with it. Using a "hunting crop," Holmes knocks a pistol from John Clay's hand in "The Red-Headed League. In the Six Napoleons it is described as his favourite weapon - he uses it to break open one of the plaster busts.
Fist-fighting
Holmes is described as a formidable bare-knuckle fighter. In The Sign of the Four, Holmes introduces himself to a prize-fighter as:
"The amateur who fought three rounds with you at Alison's rooms on the night of your benefit four years back." McMurdo responds by saying, "Ah, you're one that has wasted your gifts, you have! You might have aimed high, if you had joined the fancy."
Holmes engages in hand to hand combat with his adversaries on occasions throughout the stories, inevitably emerging the victor. It is mentioned also in "Gloria Scott" that Holmes trained as a boxer.
Martial arts
"The Adventure of the Empty House", Holmes recounts to Watson how he used martial arts to overcome Professor Moriarty and fling his adversary to his death at the Reichenbach Falls. He states, "I have some knowledge, however, of baritsu, or the Japanese system of wrestling, which has more than once been very useful to me." The name "baritsu" appears to be a reference to the real-life martial art of bartitsu.

Knowledge and skills

In the very first story, A Study in Scarlet, something of Holmes' background is given. In early 1881, he is presented as an independent student of chemistry with a variety of very curious side interests, almost all of which turn out to be single-mindedly bent towards making him superior at solving crimes. (When he appears for the first time, he is crowing with delight at having invented a new method for detecting bloodstains; in other stories he indulges in recreational home-chemistry experiments, sometimes filling the rooms with foul-smelling vapors.) An early story, "The Adventure of the Gloria Scott", presents more background on what influenced Holmes to become a detective: a college friend's father richly complimented his deductive skills. Holmes maintains strict adherence to scientific methods, and focuses on logic and the powers of observation and deduction.

Holmes also makes use of popular pseudoscientific methods: in one story he infers from the large size of a man's hat that the owner is intelligent and intellectually inclined, on the grounds that “a man with so large a brain must have something in it.” ("The Adventure of the Blue Carbuncle").

In A Study in Scarlet, Holmes claims he does not know that the Earth revolves around the sun, as such information is irrelevant to his work. Directly after having heard that fact from Watson, he says he will immediately try to forget it. He says he believes that the mind has a finite capacity for information storage, and so learning useless things would merely reduce his ability to learn useful things. Dr Watson subsequently assesses Holmes' abilities thus:

Knowledge of Literature — Nothing.
Knowledge of Philosophy — Nothing.
Knowledge of Astronomy — Nothing.
Knowledge of Politics — Feeble.
Knowledge of Botany — Variable. Well up in belladonna, opium and poisons generally. Knows nothing of practical gardening.
Knowledge of Geology — Practical, but limited. Tells at a glance different soils from each other. After walks, has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them.
Knowledge of Chemistry — Profound.
Knowledge of Anatomy — Accurate, but unsystematic.
Knowledge of Sensational Literature — Immense. He appears to know every detail of every horror perpetrated in the century.
Plays the violin well.
Is an expert singlestick player, boxer and swordsman.
Has a good practical knowledge of British law.
However, even at the very end of A Study in Scarlet itself, it is shown that Holmes knows Latin and needs no translation of Roman epigrams in the original—though knowledge of the language would be of dubious direct utility for detective work. Later stories also contradict the list. Despite Holmes' supposed ignorance of politics, in "A Scandal in Bohemia" he immediately recognises the true identity of the supposed "Count von Kramm". Regarding non-sensational literature, his speech is replete with references to the Bible, Shakespeare, even Goethe.

Moreover, in "The Adventure of the Bruce-Partington Plans" Watson reports that in November 1895, "Holmes lost himself in a monograph which he had undertaken upon the Polyphonic Motets of Lassus"—a most esoteric field, for which Holmes would have had to "clutter his memory" with an enormous amount of information which had absolutely nothing to do with crime-fighting—knowledge so extensive that his monograph was regarded "the last word" on the subject.The later stories abandon the notion that Holmes did not want to know anything unless it had immediate relevance for his profession; in the second chapter of The Valley of Fear, Holmes instead declares that "all knowledge comes useful to the detective", and near the end of "The Adventure of the Lion's Mane", he describes himself as "an omnivorous reader with a strangely retentive memory for trifles".

Holmes is also a competent cryptanalyst. He relates to Watson, "I am fairly familiar with all forms of secret writing, and am myself the author of a trifling monograph upon the subject, in which I analyse one hundred and sixty separate ciphers." One such scheme is solved using frequency analysis in "The Adventure of the Dancing Men".

Holmes' analysis of physical evidence is both scientific and precise. His methods include the use of latent prints such as footprints, hoof prints and bicycle tracks to identify actions at a crime scene (A Study in Scarlet, "The Adventure of Silver Blaze", "The Adventure of the Priory School", The Hound of the Baskervilles, "The Boscombe Valley Mystery"), the use of tobacco ashes and cigarette butts to identify criminals ("The Adventure of the Resident Patient", The Hound of the Baskervilles), the comparison of typewritten letters to expose a fraud ("A Case of Identity"), the use of gunpowder residue to expose two murderers ("The Adventure of the Reigate Squire"), bullet comparison from two crime scenes ("The Adventure of the Empty House") and even an early use of fingerprints ("The Norwood Builder"). Holmes also demonstrates knowledge of psychology in "A Scandal in Bohemia", luring Irene Adler into betraying where she had hidden a photograph based on the "premise" that an unmarried woman will seek her most valuable possession in case of fire, whereas a married woman will grab her baby instead.

Despite the excitement of his life (or perhaps seeking to leave it behind) Holmes retired to the Sussex Downs to take up beekeeping ("The Second Stain"), and wrote a book on the subject, entitled "Practical Handbook of Bee Culture, with Some Observations upon the Segregation of the Queen". His search for relaxation can also be seen in his love for music, notably in "The Red-Headed League", where Holmes takes an evening off from a case to listen to Pablo de Sarasate play violin.[citation needed]

He also enjoys vocal music, particularly Wagner ("The Adventure of the Red Circle").

The film Young Sherlock Holmes (1985) - that speculates about the Holmes' youthful - shows Holmes as a brilliant secondary student.

Influence

Forensics

Arch shown in a fingerprint
Human hair under 200-times magnificationSherlock Holmes remains a great inspiration for forensic science, especially for the way his acute study of a crime scene yields small clues as to the precise sequence of events. He makes great use of trace evidence such as shoe and tire impressions, as well as fingerprints, ballistics and handwriting analysis, now known as questioned document examination. Such evidence is used to test theories conceived by the police, for example, or by the investigator himself. All of the techniques advocated by Holmes would later become reality, but were generally in their infancy at the time Conan Doyle was writing. In many of his reported cases, Holmes frequently complains of the way the crime scene has been contaminated by others, especially by the police, emphasising the critical importance of maintaining its integrity, a now well-known feature of crime scene examination.

Owing to the small scale of the trace evidence (such as tobacco ash, hair or fingerprints), he often uses a magnifying glass at the scene, and an optical microscope back at his lodgings in Baker Street. He uses analytical chemistry for blood residue analysis as well as toxicology examination and determination for poisons. Holmes seems to have maintained a small chemistry laboratory in his lodgings, presumably using simple wet chemical methods for detection of specific toxins, for example. Ballistics is used when spent bullets can be recovered, and their calibre measured and matched with a suspect murder weapon.

Holmes was also very perceptive of the dress and demeanour of his clients and others, noting style and state of wear of their clothes, any contamination (such as clay on boots), their state of mind and physical condition in order to infer their origin and recent history. Skin marks such as tattoos could reveal much about their past history. He applied the same method to personal items such as walking sticks (famously in The Hound of the Baskervilles) or hats (in the case of The Blue Carbuncle), with small details such as medallions, wear and contamination yielding vital indicators of their absent owners.

An omission from the stories is the use of forensic photography. Even before Holmes' time, high quality photography was used to record accident scenes, as in the Tay Bridge disaster of 1879, for example, and it was widely used to record the faces of criminals to build index files, as well as crime scenes, especially those involving homicide.

Role in the history of the detective story

Although Sherlock Holmes isn't the original fiction detective (he was influenced by Edgar Allan Poe's C. Auguste Dupin and Émile Gaboriau's Monsieur Lecoq), his name has become a by-word for the part. His stories also include several detective story characters such as the loyal but less intelligent assistant, a role for which Dr Watson has become the archetype. The investigating detective became a popular genre with many authors such as Agatha Christie and Dorothy Sayers after the demise of Holmes, with characters such as Hercule Poirot and Lord Peter Wimsey. Forensic methods became less important than the psychology of the criminal, despite the strong growth in forensics in use by the police in the early 20th century.

An inspiration for scientists

Sherlock Holmes has occasionally been used in the scientific literature. Radford (1999) speculates on his intelligence. Using Conan Doyle’s stories as data, Radford applies three different methods to estimate Sherlock Holmes’s IQ, and concludes that his intelligence was very high indeed. Snyder (2004) examines Holmes’ methods in the light of the science and the criminology of the mid- to late-19th century. Kempster (2006) compares neurologists’ skills with those displayed by Holmes. Finally, Didierjean and Gobet (2008) review the literature on the psychology of expertise by taking as model a fictional expert: Sherlock Holmes. They highlight aspects of Doyle’s books that are in line with what is currently known about expertise, aspects that are implausible, and aspects that suggest further research.

Legacy

Fan speculation

Main article: Sherlock Holmes speculation
The fifty-six short stories and four novels written by Conan Doyle are termed the "canon" by Sherlock Holmes fans. Early scholars of the canon included Ronald Knox in Britain and Christopher Morley in New York.

Writers have produced many pop culture references to Sherlock Holmes, Conan Doyle, or characters from the stories in homage, to a greater or lesser degree. Such allusions can form a plot development, raise the intellectual level of the piece, or act as Easter eggs for an observant audience.

Some have been overt, introducing Holmes as a character in a new setting, or a more subtle allusion, such as making a logical character live in an apartment at number 221B. One well-known example of this is the character Gregory House on the show House M.D, whose name and apartment number are both references to Holmes. Often the simplest reference is to dress anybody who does some kind of detective work in a deerstalker and cloak. Another rich field of pop culture references is Holmes' ancestry and descendants, but really the only limit is the writer's imagination.

A third major reference is the oft-quoted but non-canonical phrase: "Elementary, my dear Watson." This phrase was never actually said by Holmes, since it does not appear in any of the sixty Holmes stories written by Conan Doyle. In the stories by Conan Doyle, Holmes often remarked that his logical conclusions were "elementary", in that he considered them to be simple and obvious. He also, on occasion, referred to his friend as "my dear Watson". The two fragments, however, never appear together. One of the closest examples to this phrase appears in the "The Adventure of the Crooked Man", when Holmes explains a deduction:

“ "Excellent!" I cried.
"Elementary." said he.


It does appear at the very end of the 1929 film, The Return of Sherlock Holmes, the first Sherlock Holmes sound film, and might owe its familiarity to its use in Edith Meiser's scripts for The New Adventures of Sherlock Holmes radio series, although the phrase was first used by American actor William Gillette.

Another common incorrect attribution is that Holmes, throughout the entire novel series, is never explicitly described as wearing a "deerstalker hat". Holmes dons "an ear flapped travelling cap" in "The Adventure of Silver Blaze". Sidney Paget first drew Holmes wearing the deerstalker cap and inverness cape in "The Boscombe Valley Mystery" and subsequently in several other stories.

The Great Hiatus

Holmes aficionados refer to the period from 1891 to 1894—the time between Holmes' disappearance and presumed death in "The Adventure of the Final Problem" and his reappearance in "The Adventure of the Empty House"—as "the Great Hiatus." It is notable, though, that one later story ("The Adventure of Wisteria Lodge") is described as taking place in 1892.

Conan Doyle wrote the first set of stories over the course of a decade. Wanting to devote more time to his historical novels, he killed off Holmes in "The Final Problem," which appeared in print in 1893. After resisting public pressure for eight years, the author wrote The Hound of the Baskervilles, which appeared in 1901, implicitly setting it before Holmes' "death" (some theorise that it actually took place after "The Return" but with Watson planting clues to an earlier date).
The public, while pleased with the story, was not satisfied with a posthumous Holmes, and so Conan Doyle revived Holmes two years later. Many have speculated on his motives for bringing Holmes back to life, notably writer-director Nicholas Meyer, who wrote an essay on the subject in the 1970s entitled "The Great Man Takes a Walk." The actual reasons are not known, other than the obvious: publishers offered to pay generously. For whatever reason, Conan Doyle continued to write Holmes stories for a quarter-century longer.

Some writers have come up with other explanations for the hiatus. In Meyer's novel The Seven-Per-Cent Solution, the hiatus is depicted as a secret sabbatical following Holmes' treatment for cocaine addiction at the hands of Sigmund Freud, and presents Holmes making the light-hearted suggestion that Watson write a fictitious account claiming he had been killed by Moriarty, saying of the public: "They'll never believe you in any case."

In his memoirs, Conan Doyle quotes a reader, who judged the later stories inferior to the earlier ones, to the effect that when Holmes went over the Reichenbach Falls, he may not have been killed, but was never quite the same man. The differences in the pre- and post-Hiatus Holmes have in fact created speculation among those who play "The Great Game" (making believe Sherlock Holmes was a historical person). Among the more fanciful theories, the story "The Case of the Detective's Smile" by Mark Bourne, published in the anthology Sherlock Holmes in Orbit, posits that one of the places Holmes visited during his hiatus was Alice's Wonderland. While there, he solved the case of the stolen tarts, and his experiences there contributed to his kicking the cocaine addiction.

Societies

In 1934, the Sherlock Holmes Society, in London, and the Baker Street Irregulars, in New York were founded. Both are still active (though the Sherlock Holmes Society was dissolved in 1937 to be resuscitated only in 1951). The London-based society is one of many worldwide who arrange visits to the scenes of the Sherlock Holmes adventures, such as the Reichenbach Falls in the Swiss Alps.

The two initial societies founded in 1934 were followed by many more Holmesians circles, first of all in America (where they are called "scion societies"—offshoots—of the Baker Street Irregulars), then in England and Denmark. Nowadays, there are Sherlockian societies in many countries like India and Japan being the more prominent countries which have a history of such activity.

Museums

During the 1951 Festival of Britain, Sherlock Holmes' sitting-room was reconstructed as the masterpiece of a Sherlock Holmes Exhibition, displaying a unique collection of original material. After the 1951 exhibition closed, items were transferred to the Sherlock Holmes Pub, in London, and to the Conan Doyle Collection in Lucens (Switzerland). Both exhibitions, each including its own Baker Street Sitting-Room reconstruction, are still open to the public. In 1990, the Sherlock Holmes Museum opened in Baker Street London and the following year in Meiringen, Switzerland another museum opened; naturally, they include less historical material about Conan Doyle than about Sherlock Holmes himself. The Sherlock Holmes Museum in Baker Street, London was the first Museum in the world to be dedicated to a fictional character.

The strange case of the doctor Jekyll and Mister Hyde


Gabriel John Utterson's investigations begin for curiosity and worry(restlessness), in spite of the insistent promises on the part of Jekyll that his(her,your) new friend Hyde does not constitute any danger. Everything changes when Hyde murders a respected member of parliament Englishman(English) before a witness. While Utterson helps in the investigation(research) of the crime, Jekyll becomes increasingly solitary and melancholy, and Utterson manages to think that the doctor is concealing Hyde.
There comes a moment in which Jekyll shuts in himself(herself) stupidly in his(her,your) laboratory atenazado for a distress that nobody understands(includes). Another friend of Utterson, Lanyon, dies of a spiritual shock to which the gentleman Jekyll seems to be related. One day the butler of Jekyll, Poole, asks Utterson for help to treat with an unknown individual that, of some form, it(he,she) has managed to enter the laboratory and to kill Jekyll. Both discover that the stranger is Hyde, and when they manage to enter the laboratory, find Hyde's corpse, of which one has faked the suicide, whereas Jekyll does not appear anywhere.
Finally, Utterson reads the letters written by Lanyon and the confession of the Dr. Jekyll. The first one reveals that Lanyon has been a witness of Hyde's physical transformation in Jekyll by means of a potion invented by the latter. It was the horror before such a discovery what took him finally to the death.
Another letter is a confession of the own(proper) Jekyll: in his(her,your) youth, it(he,she) realized that the conscience of every human being consists of two aspects - the good and evil - that are involved in a constant fight. Following(continuing) the hypothesis of which it is possible to polarize and to separate these two components of me, it(he,she) created a potion that could transform a person into the incarnation of his(her,your) damaging part, managing at the same time to purify the good side.After taking the potion, Jekyll was diminishing rather his(her,your) stature, was taking a disagreeable aspect for with all his(her,your) similar ones, was acquiring the force and the trickery of twelve men, his(her,your) wicked nature was becoming dominant, in addition his(her,your) intelligence was becoming strangly brilliant and his(her,your) extraordinary reflections(reflexes); it(he,she) was called this "person" Edward Hyde. After a few transformations to Hyde, and vice versa, Jekyll got used to realizing regularly the metamorphosis in order to be able to submit to antisocial prohibited pleasures, which would never be allowed in the person of Jekyll. Nevertheless, his(her,your) damaging part was done more and more loudly, exceeding Jekyll's aptitude to control her. After the murder of the member of parliament, Jekyll, terrified, it(he,she) decided to stop taking the potion.
Unfortunately for the doctor, after some time of tranquility, the trasformaciones were producing Hyde to spontaneously, improving his(her,your) "powers" and alone Jekyll could remain of this form while the effects lasted, increasingly debilitated, of the potion.Finally there became exhausted a fundamental ingredient of the potion, a salt that he(she) had acquired initially in great quantity. The new remittances of this salt already were not producing an effective potion. Initially(originally), Jekyll attributed it to impurities in these remittances, but finally it(he,she) came to the conclusion of which the unknown impurity was situated in the initial lot, being this one the one that was granting efficiency to the mixture(mixing), for what nevermore it(he,she) might obtain an effective potion, and to there remain turned into his(her,your) dark alter ego Hyde permanently.